His idea of calming the strained nerves of his guest by taking a moonlight walk at the very beach where the monster was allegedly seen backfires completely as she runs in terror back to the house as a ghastly apparition lumbers out of the sea onto the beach. Keeping the sea monster at bay with a dry piece of wood he sets fire to, Bruce Wayne eventually succeeds in driving it back to the dark waters of the sea... | |||||
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From here on the mystery subsequently grows even thicker, with Bruce Wayne even arrested for the suspected murder of a local fisherman and finding himself in a cell at the local sheriff's office - breaking out of which is no problem as Wayne still carries the Batman's boots and therefore has access to the necessary tools stowed away in a heel compartment. As Batman, he then investigates the scene where the fisherman was found dead | |||||
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The story told by David Vern in Batman #277 is - in spite of its initially outlandish "sea monster" theme - a highly average 1970s Batman story, both in a positive and a negative sense. In a very strange way, it is both flat and dramatic at the same time. Its story is rather superficial and yet also interestingly inviting, and although most plot devices (including the sea monster which gives the whole issue a sensational touch, not the least thanks to its cover) eventually turn out to be rather flat and predictable, the "Riddle of the Man who walked backwards" provides enjoyable Batman entertainment in a single issue which is most certainly worth its admission fee of 30¢ - although that will have risen by now as the story has not been reprinted in a collected edition and may well never be, making purchase of an original copy from 1976 a prerequisite for reading this tale of the Darknight Detective. | |||||
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Ernesto "Ernie" Chua was born on July 27th 1940 in the Philippines and had taken up drawing and inking comics when he was twenty. He emigrated to the United States in 1970 when both Marvel and DC were looking to the Philippine talent pool in order to recruit artists for the growing number of titles both publishers were putting out. | |||||
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Drawing and inking a whole range of characters for Marvel (Dr. Strange, Dracula, Daredevil, Doc Savage, Thor, Fantastic Four, Hulk, Powerman and Iron Fist, King Kull, John Carter of Mars, and of course Conan) and DC (Claw, Sandman, Swamp Thing, Jonah Hex and others), he also provided artwork for the Darknight Detective, with Batman #262 (April 1975) marking his debut as Chan pencilled a story by Denny O'Neil which revived brought back the Scarecrow. Throughout 1975 and 1976, Ernie Chan applied his talent to a number of the Caped Crusader's adventures: | |||||
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Chan - like most of his fellow Philippine artists who broke into the US comic book industry in the early to mid 1970s - was always spot on the money with his work, providing a constant level of quality. Both his pencil work as well as his inking were characterized by a steady yet very dynamic line with an unfaltering quality - Chan knew what he was doing, and he had the talent to do it well each and every time he turned to a blank art board. His style was never flashy or extravagant but rather had a - albeit very refined - down to earth quality which fitted the Darknight Detective perfectly. The perspective and composition he put into each and every panel breathed life into the pages he was producing, and his artwork was always solid and exciting at the same time - just as his covers more often than not were absolute eye-catchers in the best of movie poster tradition. | |||||
[Left]
Original pencils by Ernie Chan for page 9 of Batman #277
(scanned from the original in my personal collection) |
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From early
1977 on Chan worked mostly for Marvel, including an
amazingly extended run on Savage Sword of Conan from
1978 up to 1994. During the 1990's Chan gradually shifted
his work focus more on computer designs and television as
well as movie animation projects. He officially retired
in 2002 but remained active with pencilling and inking -
concentrating on topics he himself liked - and selling
his artwork online as well as at comic conventions, which
he attended fairly frequently in between travels to China
until he passed away on May 16th 2012 after a lengthy
battle with cancer. Ernie Chan is probably best remembered for his work on fantasy and sword & sorcery titles, and above all for his run on Marvel's Conan, but for those who read and enjoyed the Batman titles of the mid 1970s (and still read and enjoy them today), Ernie Chan will be, more than anything else, one of the truly great Batman artists of the Bronze Age. When the plot was maybe not that good all around, Ernie Chan would be there to see to it that the job got done - even when the Batman himself was on vacation in Florida. |
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Batman #277 was cover dated half way through the United States' bicentennial year and carries a specially themed banner at the top of its cover. |
The meaning of the numeral "11" could be found within the interior pages of Batman #277 as readers were told that "DC salutes the Bicentennial with a great free offer". | |||||
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But DC didn't just have belt buckles up their sleeve (or perhaps, more appropriately, on their belts) for the Bicentennial. As an in-house ad pointed out there was also a Superman salutes the Bicentennial (including George Washington and a few other presidents thrown in for good measure) along with a Collector's Edition Justice League of America. Readers were told - in order to "avoid the crush at the newsstand" - to send in their orders by mail, just as they were told that "we can put DC comics right in your mail box". | |||||
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Speaking of which: one of the major problems the US had with its youth back in 1976 seemingly was the nefarious habit of party crashing - at least that's what the public service page published by DC in Batman #277 (pencilled by Curt Swan and inked by Vince Colletta) would have us believe. | |||||
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BIBLIOGRAPHY KINGMAN Jim (2011) "The Mystery of Men with Unsung Legacies!", in Back Issue #50 (Batman in the Bronze Age Theme Issue), TwoMorrows Publishing NOTES [1] According to the statement of ownership published in Batman #287 (May 1977) [2] According to the statement of ownership published in Batman #275 (May 1976) [3] According to the statement of ownership published in Batman #299 (May 1978) [4] According to the statement of ownership published in Detective Comics #469 (May 1977) [6] According to the statement of ownership published in Action Comics #471 (May 1977) |
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(c) MMXIVfirst published on the web 23 September 2014